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    Home»Arts & Entertainment»Film Festival presents ‘Marguerite’s Theorem’ encore April 26-May 1
    Arts & Entertainment

    Film Festival presents ‘Marguerite’s Theorem’ encore April 26-May 1

    Award-winning film from recent festival returns for special encore screenings
    April 19, 2024No Comments
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    “Marguerite’s Theorem” won the Audience Choice Award for Best International Feature Film at the recent Sedona International Film Festival. It is returning to Sedona by popular demand.
    “Marguerite’s Theorem” won the Audience Choice Award for Best International Feature Film at the recent Sedona International Film Festival. It is returning to Sedona by popular demand.
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    Sedona News – The Sedona International Film Festival is proud to present the encore of “Marguerite’s Theorem” showing April 26-May 1 at the Mary D. Fisher and Alice Gill-Sheldon Theatres.

    “Marguerite’s Theorem” won the Audience Choice Award for Best International Feature Film at the recent Sedona International Film Festival. It is returning to Sedona by popular demand.

    The trajectory of Marguerite’s future, a brilliant Mathematics student at the esteemed Ecole Normale Supérieure, appears meticulously charted. As the sole woman in her cohort, she nears completion of her thesis, anticipating the culmination of years of dedicated effort with an audience of researchers.

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    “Marguerite’s Theorem” won the Audience Choice Award for Best International Feature Film at the recent Sedona International Film Festival. It is returning to Sedona by popular demand.
    “Marguerite’s Theorem” won the Audience Choice Award for Best International Feature Film at the recent Sedona International Film Festival. It is returning to Sedona by popular demand.

    On the crucial day, an unexpected error disrupts her well-laid plans, causing the unraveling of all her certainties and the collapse of her foundational aspirations. Faced with this pivotal moment, Marguerite resolves to abandon her current path entirely and embarks on a journey to redefine and reconstruct her life anew.

    “Marguerite’s Theorem” will be shown at the Mary D. Fisher and Alice Gill-Sheldon Theatres April 26-May 1. Showtimes will be Friday and Sunday, April 26 and 28 at 7:00 p.m.; Saturday, April 27 at 12:30 p.m.; and Tuesday and Wednesday, April 30 and May 1 at 4:00 p.m.

    Tickets are $12, or $9 for Film Festival members. For tickets and more information, please call 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org.

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    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

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    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

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    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

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    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

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    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    From Protest Signs to Missiles: Why Peace Needs Teeth
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    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

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