Sedona International Film Festival

National Theatre of London’s
‘Rosencrantz & Guildenstern Are Dead’ May 7

April 26, 2017No Comments

Sedona Film Festival hosts big-screen debut of new production at Fisher Theatre

Sedona AZ (April 26, 2017) – The National Theatre of London continues its season with its acclaimed production of “Rosencrantz & Guildenstern Are Dead” showing in Sedona on Sunday, May 7 at 3 p.m. The Sedona International Film Festival hosts the big screen premiere at its Mary D. Fisher Theatre.

Daniel Radcliffe (Harry Potter, The Woman in Black), Joshua McGuire (The Hour) and David Haig (Four Weddings and a Funeral) star in Tom Stoppard’s brilliantly funny situation comedy, “Rosencrantz & Guildenstern Are Dead”, broadcast live from The Old Vic Theatre in London.

David Leveaux’s new production marks the 50th anniversary of the play that made a young Tom Stoppard’s name overnight.

Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take center stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.

“Rosencrantz & Guildenstern Are Dead” is a lively comedy with plenty of comic wordplay and witty one-liners. Critics and audiences are raving about the production.

“Daniel Radcliffe and Joshua McGuire are a delightful double act.” — Daily Telegraph

“Hilarious!” — The Times

“Fantastically light on its feet.” — Independent

“A perfectly blended comedy double act.” — The Stage

“Rosencrantz & Guildenstern Are Dead” will be shown at the Mary D. Fisher Theatre on Sunday, May 7 at 3:00 p.m. Tickets are $15, or $12.50 for Film Festival members. Tickets are available in advance at the Sedona International Film Festival office or by calling 928-282-1177 or online at www.SedonaFilmFestival.org. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona.

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.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→