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    Home»Arts & Entertainment»Sedona Film Fest presents ‘One Fine Morning’ premiere March 17-23
    Arts & Entertainment

    Sedona Film Fest presents ‘One Fine Morning’ premiere March 17-23

    Two stories of grief and rebirth unite in touching new drama by Mia Hansen-Løve
    March 10, 2023No Comments
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    Sandra (Léa Seydoux), a young mother who raises her daughter alone, pays regular visits to her sick father. While she and her family fight tooth and nail to get him the care he requires, Sandra reconnects with Clément (Melvil Poupaud), a friend she hasn't seen in a while. Although he is in a relationship, the two begin a passionate affair in “One Fine Morning”.
    Sandra (Léa Seydoux), a young mother who raises her daughter alone, pays regular visits to her sick father. While she and her family fight tooth and nail to get him the care he requires, Sandra reconnects with Clément (Melvil Poupaud), a friend she hasn't seen in a while. Although he is in a relationship, the two begin a passionate affair in “One Fine Morning”.
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    Sedona News – The Sedona International Film Festival is proud to present the Northern Arizona premiere of “One Fine Morning” showing March 17-23 at the Alice Gill-Sheldon Theatre.

    Sandra (Léa Seydoux), a young mother who raises her daughter alone, pays regular visits to her sick father. While she and her family fight tooth and nail to get him the care he requires, Sandra reconnects with Clément (Melvil Poupaud), a friend she hasn't seen in a while. Although he is in a relationship, the two begin a passionate affair in “One Fine Morning”.
    Sandra (Léa Seydoux), a young mother who raises her daughter alone, pays regular visits to her sick father. While she and her family fight tooth and nail to get him the care he requires, Sandra reconnects with Clément (Melvil Poupaud), a friend she hasn’t seen in a while. Although he is in a relationship, the two begin a passionate affair in “One Fine Morning”.

    Sandra (Léa Seydoux) is a widowed young mother raising her daughter alone, while also caring for her sick father. She’s dealing with the loss of the relationship she once had with her father, while fighting to get him the care he requires.

    At the same time, Sandra reconnects with Clément (Melvil Poupaud), a friend she hasn’t seen in a while and, although he’s married, their friendship soon blossoms into a passionate affair.

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    “One Fine Morning” will be shown at the Alice Gill-Sheldon Theatre March 17-23. Showtimes will be 3:30 p.m. on Friday, Saturday, Sunday and Monday, March 17, 18, 19 and 20; and 6:30 p.m. on Tuesday, Wednesday and Thursday, March 21, 22 and 23.

    Tickets are $12, or $9 for Film Festival members. For tickets and more information, please call 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org.

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    We Have Been Thoroughly Trained!
    By Amaya Gayle Gregory

    Throughout the years, we have been trained. Part of the training is to see others as trained, but not ourselves. Even though we are the others that others are trained to see as trained, we tend to miss that little nuance. The training says we must know what’s right and speak out when we see something that runs contrary to our understanding of rightness. We don’t stop to realize that what we see as right isn’t exactly right or it would be the right version that everyone in their right mind knew as right. There are billions of versions of right but ours is the only real right one. Seems fishy, doesn’t it? We spend our days, our lives, catching others — the wrong ones — doing and saying things in support of their versions of right and our training has us jumping on the critical bandwagon lest we be painted in support of the wrong right. What in this crazy world moves us with such amazing force to crave rightness, to need to be seen as right? Read more→
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    We Have Been Thoroughly Trained!
    By Amaya Gayle Gregory

    Throughout the years, we have been trained. Part of the training is to see others as trained, but not ourselves. Even though we are the others that others are trained to see as trained, we tend to miss that little nuance. The training says we must know what’s right and speak out when we see something that runs contrary to our understanding of rightness. We don’t stop to realize that what we see as right isn’t exactly right or it would be the right version that everyone in their right mind knew as right. There are billions of versions of right but ours is the only real right one. Seems fishy, doesn’t it? We spend our days, our lives, catching others — the wrong ones — doing and saying things in support of their versions of right and our training has us jumping on the critical bandwagon lest we be painted in support of the wrong right. What in this crazy world moves us with such amazing force to crave rightness, to need to be seen as right? Read more→
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