Sedona.Biz – The Voice of Sedona and The Verde ValleySedona.Biz – The Voice of Sedona and The Verde Valley
    Sedona.Biz – The Voice of Sedona and The Verde Valley Sedona.Biz – The Voice of Sedona and The Verde Valley
    • Home
    • Sedona
      • Arts and Entertainment
      • Bear Howard Chronicles
      • Business Profiles
      • City of Sedona
      • Elections
      • Goodies & Freebies
      • Mind & Body
      • Sedona News
    • Opinion
    • Real Estate
    • About
    • The Sedonan
    • Advertise
    • Sedona’s Best
    Sedona.Biz – The Voice of Sedona and The Verde ValleySedona.Biz – The Voice of Sedona and The Verde Valley
    Home»Arts and Entertainment»Tribute to the Women of the Verde Valley, Art Opening
    Arts and Entertainment

    Tribute to the Women of the Verde Valley, Art Opening

    April 9, 2013No Comments
    Facebook Twitter Pinterest LinkedIn Email Reddit WhatsApp
    Share
    Facebook Twitter LinkedIn Pinterest Email Reddit WhatsApp

    Cottonwood AZ (April 9, 2013) – LADY AS LANDSCAPE is a tribute to the women of the Verde Valley and Miss A V Sclippa’s first art opening. Annabel Valerie Sclippa was born in Southern France to a French/Italian father and a Dutch/German (American) mother, both of whom were bred in families of artistic talent.

    Her mother, Lenore Edith Culin, has been a color therapist since the late 80s. Lenore’s father Nembhard Nottingham Culin was a successful architect and artist. Primarily working in watercolor, Mr. Culin is best known for his New England scenes. Many of his pieces hang on walls from private collections to doctors’ offices, their subject matter also including his renderings of state buildings and historic structures. Poster copies of his airbrush image of the Ball And Sphere from the 1939/40 New York Worlds Fair have become collectors items.

    20130409_schlippaMiss Sclippa’s great uncle Stewart Culin was curator of the Brooklyn Museum for twenty five years, often traveling by covered wagon out here to the Wild West where he made fair-trade transactions for irreplaceable Indian Art collections, some of which have traveled back out to expositions at the Heard Museum.

    Sclippa’s father, Norbert Joseph Gaeton Sclippa, has a natural affinity for creating cartoons, while his brothers Jean-Claude and Patrick span the arts from architecture, to pen & ink drawing, and Picasso-esque oil painting.

    Sedona Gift Shop

    Miss Sclippa is primarily self-taught. She has taken an oil painting class with Robert Venosa and Martina Hoffmann in Visionary Art, integrating the Brothers Van Eyck style of illumination, a watercolor class with Sandra Clare Lothrop of Martha’s Vineyard, a figure sketching course at SUNY Purchase, and an acrylic lesson with multimedia artist Beth Ames Swartz of Paradise Valley, Arizona. Although she has dabbled in acrylics, glass paints, mural work, ceramics, mosaics, airbrush, oil, graphic design and architecture, her current works are watercolor with some pencil, pen and ink.

    The LADY AS LANDSCAPE series is a personal reflection of life-saving surgeries, paralysis, and healing, as shown through a process of transformation of trauma into beauty. They examine the physical body as the place where the process of life is reborn; incorporating trees, flowers, earth, fire, water, cityscapes, and sky. The expression of stagnation to freedom portrays overhauling paralysis through images of roots, rocks, bubbles and flowers embedding healthy, beautiful bodies.

    More broadly, LADY AS LANDSCAPE represents in Sclippa’s words, “the body as landscape, seen through the beauty of the woman. I am inspired by many woman of the Verde Valley whom I’ve met that are dynamic survivors, a homage to the history of this land. They have cheated death only to become more beautiful, strengthened by the sheer will to survive and often having hidden the struggle. They are a reflection of the desert itself, in it’s ability to replenish from vast desolation, to bear flowers and fruit.”

    Artist Reception Saturday April 13th, 4-7PM at THE MANHEIM GALLERY, 747 N Main St, Old Town Cottonwood. Show runs through April 27, 2013. Visit avsclippa.com to see more of Miss Sclippa’s work.

    Healing Paws

    This is an advertisement

    Annabel Valerie Sclippa Manheim Gallery

    Comments are closed.

    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    The Sedonan
    Need More Customers?
    Bear Howard Chronicles
    Humankind
    Tlaquepaque
    Verde Valley Wine Trail
    Recent Comments
    • Marv & Liberty Lincoln on Elon Musk: Prince of Power Tools, Pawn of Politics
    • West Sedona Dave on Sedona Memorial Day Ceremony conducted at the Posse Ground Pavilion.
    • Rodger Waters on Sedona Memorial Day Ceremony conducted at the Posse Ground Pavilion.
    • JB on Elon Musk: Prince of Power Tools, Pawn of Politics
    • West Sedona Dave on Elon Musk: Prince of Power Tools, Pawn of Politics
    • JB on Memorial Day: The Measure of Courage, The Cost of Freedom
    • JB on Schaefers Donate Funding for First Roundabout Artwork
    • Dutch on Schaefers Donate Funding for First Roundabout Artwork
    • JB on Lift Your Heads, Democrats—The Soul of the Nation & Sedona Still Beats With You
    • SSuzanne on Memorial Day: The Measure of Courage, The Cost of Freedom
    • JB on Lift Your Heads, Democrats—The Soul of the Nation & Sedona Still Beats With You
    • BG on Lift Your Heads, Democrats—The Soul of the Nation & Sedona Still Beats With You
    • Brenda Redel on Local Businesses Receive Recognition from Humane Society of Sedona
    • Brenda Redel on Local Businesses Receive Recognition from Humane Society of Sedona
    • JB on Lift Your Heads, Democrats—The Soul of the Nation & Sedona Still Beats With You
    Archives
    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    The Sedonan
    The Sedonan
    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    From Protest Signs to Missiles: Why Peace Needs Teeth
    .By Tommy Acosta

    As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

    Read more→

    © 2025 All rights reserved. Sedona.biz.

    Type above and press Enter to search. Press Esc to cancel.