Sedona International Film Festival

National Theatre of London’s ‘Hedda Gabler’
premieres April 2

March 27, 2017No Comments

Sedona Film Festival hosts big-screen debut of new production at Fisher Theatre

Sedona AZ (March 27, 2017) – The National Theatre of London continues its season with its acclaimed production of “Hedda Gabler” showing in Sedona on Sunday, April 2 at 3 p.m. The Sedona International Film Festival hosts the big screen premiere at its Mary D. Fisher Theatre.

“I’ve no talent for life.” Just married. Bored already. Hedda longs to be free…

Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.

Tony Award-winning director Ivo van Hove (A View from the Bridge at the Young Vic Theatre) returns to National Theatre Live screens with a modern production of Ibsen’s masterpiece.

Ruth Wilson (Golden Globe winner for “The Affaire”) plays the title role in a new version by Patrick Marber (Notes on a Scandal, Closer).

“Hedda Gabler” is sold out at the National Theatre in London. This production on screen is the only way to see this masterpiece. This new version is a slick, stylish modern production of the classic Ibsen play.

“One of the performances and productions of the year.” — Daily Telegraph

“Ruth Wilson is phenomenal.” — Time Out

“Ruth Wilson brings a thrilling volatility to the title role.” — Evening Standard

“Dark, bold and devastating. A triumph.” — Mail on Sunday

“Hedda Gabler” will be shown at the Mary D. Fisher Theatre on Sunday, April 2 at 3:00 p.m. Tickets are $15, or $12.50 for Film Festival members. Tickets are available in advance at the Sedona International Film Festival office or by calling 928-282-1177 or online at www.SedonaFilmFestival.org. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona.

This is an advertisement

Comments are closed.

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→