Mary D. Fisher Theatre is the home for the opera simulcast and encore events
Sedona AZ (October 20, 2018) – The Sedona International Film Festival is proud to present the next Met Live Opera presentation of Giacomo Puccini’s “La Fanciulla del West” on Saturday, Oct. 27. There will be two shows that day at the Mary D. Fisher Theatre: 10 a.m. (live simulcast) and 4 p.m. (encore).
Plan to come early as Russel Fox will lead a pre-opera talk one hour before each production (9 a.m. for the morning show and 3 p.m. for the encore).
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, alongside star tenor Jonas Kaufmann in the role of the outlaw Dick Johnson. Baritone Željko Lucic is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.
Puccini’s “American” opera, based on David Belasco’s play “The Girl of the Golden West”, had its glamorous and highly publicized world premiere at the Metropolitan Opera, with the composer in the audience. The drama is set during the California Gold Rush, and the girl of the title is one of Puccini’s most appealing heroines — a strong, independent woman determined to win the man she loves. Although it fell out of favor with audiences for a few decades following its original success, “Fanciulla” has rebounded in popularity in recent years and is now counted among Puccini’s best works.
ACT I
A miners’ camp in California, 1849–50. At sunset at the Polka Saloon, Nick, the bartender, prepares for the miners’ return from the hills. Jake Wallace, a traveling minstrel, sings a sentimental song that causes Jim Larkens to break down in tears. The men collect money for his passage back home. Trin and Sonora both bribe Nick to help them win the heart of Minnie, the owner of the bar, with whom all the men are in love. Sid cheats at cards, and Jack Rance, the camp’s cynical sheriff, marks him as an outcast. The Wells Fargo agent Ashby arrives with news of the imminent capture of the Mexican bandit Ramerrez and his band. An argument breaks out between Rance and Sonora, each claiming Minnie will be his wife. Things almost get out of hand when Minnie herself appears. The men calm down and sit to listen to Minnie’s bible teaching. Later, alone with her, Rance confesses his love to Minnie (“Minnie, della mia casa”). But she is not interested and, recalling her happy childhood, paints a different picture of her ideal love (“Laggiù nel Soledad”).
A stranger appears in the bar, introducing himself as Dick Johnson from Sacramento. Minnie recognizes him as a man she once met on the road. The jealous Rance orders Johnson to leave town, but when Minnie declares that she knows him, the others welcome Johnson. As he and Minnie dance, the miners drag in a man named Castro, one of Ramerrez’s band. Castro pretends that he will lead them to their hideout. He then whispers to Johnson—who is in fact Ramerrez—that he let himself be captured to lure the miners away from the saloon, in order for Johnson to rob it. The men depart with Castro, and Minnie and Johnson are left alone. She tells him about her simple life and that she is still waiting for her first kiss. When she shows him the hiding place where the miners keep their gold, he replies that as long as he is nearby, nobody will harm her or touch the gold. She shyly invites him to visit her in her cabin later that evening.
ACT II
In Minnie’s cabin in the mountains, the Indian woman Wowkle sings a lullaby to her baby and bickers with the child’s father, Billy Jackrabbit. Minnie arrives and excitedly prepares for her meeting with Johnson. Alone with him, she gives in to his declarations of love and they kiss. Johnson, full of doubt as to how to tell her about his true identity, is about to leave, but she asks him to stay for the night as it has begun to snow. When several shots are heard, Johnson hides in the closet. Rance appears with some of the men and tells Minnie that they are concerned for her safety—they have discovered that Johnson is Ramerrez. Minnie claims to know nothing and the men leave. She then angrily confronts Johnson, who makes excuses about his past and declares that when he met her he decided to give up his former life. Deeply hurt, Minnie sends him away. Another shot rings out. Johnson, wounded, staggers back into the cabin and Minnie hides him in the attic. Rance returns, certain he has found his man, and demands to search the room. Minnie refuses and the sheriff is about to give up when a drop of blood falls on his hand from above. Johnson is forced to surrender, but Minnie has an idea—she challenges Rance to a game of poker. If he defeats her, she will give herself to him; if he loses, Johnson goes free. Minnie cheats and wins. Rance leaves.
ACT III
Johnson has been nursed back to health by Minnie. Again on the run from Rance and his men, he is eventually captured in the forest. As the miners prepare to hang him, Johnson asks for one last mercy—that Minnie believe him free and far away (“Ch’ella mi creda”). Rance is enraged, but the men hesitate. At that moment, Minnie rides in, wielding a pistol. When her pleas to spare Johnson prove fruitless, she reminds then men how much they owe her. The miners finally give in and release Johnson. He and Minnie ride away to start a new life together.
The Met Live Opera’s “La Fanciulla del West” will be shown at the Mary D. Fisher Theatre on Saturday, Oct. 27 at 10 a.m. (live simulcast) and 4 p.m. (encore). The pre-opera talks will take place one hour before each show. Tickets are $25 general admission, $22 for Film Festival members, and $15 for students. Tickets are available in advance at the Sedona International Film Festival office or by calling 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org.
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