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    Home»Arts & Entertainment»Met Live Opera ‘Lucia Di Lammermoor’ on screen in Sedona May 21
    Arts & Entertainment

    Met Live Opera ‘Lucia Di Lammermoor’ on screen in Sedona May 21

    Mary D. Fisher Theatre is the home for the opera simulcast events
    May 12, 2022No Comments
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    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza.
    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza.
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    Sedona Internatonal Film FestivalSedona News – The Mary D. Fisher Theatre is honored to be the home for the Met Live Opera programs for the 2021-2022 season, presented by the Sedona International Film Festival. The season will continue with Gaetano Donizetti’s “Lucia Di Lammermoor” on Saturday, May 21. There will be one show at 10 a.m. — a live simulcast as it is happening at the Met! 

    Plan to come early as John Steinbrunner will lead a pre-opera talk one hour before the production. 

    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza.
    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza.

    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Rucinski as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo. 

    Act I

    An intruder has been spotted at night on the grounds of Lammermoor Castle, home of Enrico Ashton. Normanno, the captain of the guard, sends Enrico’s men off in search of the stranger. Enrico arrives, troubled. His family’s fortunes are in danger, and only the arranged marriage of his sister, Lucia, with Lord Arturo Bucklaw can save them. The chaplain Raimondo, Lucia’s tutor, reminds Enrico that the girl is still mourning the death of her mother. But Normanno reveals that Lucia is concealing a great love for Edgardo of Ravenswood, leader of the Ashtons’ political enemies. Enrico is furious and swears vengeance. The men return and explain that they have seen and identified the intruder as Edgardo. Enrico’s fury increases. 

    Just before dawn at a fountain in the woods nearby, Lucia and her companion Alisa are waiting for Edgardo. Lucia relates that, in this very spot, she has seen the ghost of a girl who was stabbed by a jealous lover. Alisa urges her to forget Edgardo, but Lucia insists that her love for Edgardo brings her great joy and may overcome all. Edgardo arrives and explains that he must go to France on a political mission. Before he leaves, he wants to make peace with Enrico. Lucia, however, asks Edgardo to keep their love a secret. Edgardo agrees, and they exchange rings and vows of devotion. 

    Act II

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    It is some months later, on the day that Lucia is to marry Arturo. Normanno assures Enrico that he has successfully intercepted all correspondence between the lovers and has in addition procured a forged letter, supposedly from Edgardo, that indicates he is involved with another woman. As the captain goes off to welcome the groom, Lucia enters, continuing to defy her brother. Enrico shows her the forged letter. Lucia is heartbroken, but Enrico insists that she marry Arturo to save the family. He leaves, and Raimondo, convinced no hope remains for Lucia’s love, reminds her of her late mother and urges her to do a sister’s duty. She finally agrees. 

    As the wedding guests arrive in the Great Hall, Enrico explains to Arturo that Lucia is still in a state of melancholy because of her mother’s death. The girl enters and reluctantly signs the marriage contract. Suddenly, Edgardo bursts in, claiming his bride. The entire company is overcome by shock. Arturo and Enrico order Edgardo to leave, but he insists that he and Lucia are engaged. When Raimondo shows him the contract with Lucia’s signature, Edgardo curses her and tears his ring from her finger before finally leaving in despair and rage. 

    Act III

    Enrico visits Edgardo at his dilapidated home and taunts him with the news that Lucia and Arturo have just been married. The two men agree to meet at dawn by the tombs of the Ravenswoods for a duel.

    Back at Lammermoor, Raimondo interrupts the wedding festivities with the news that Lucia has gone mad and killed Arturo. Lucia enters, covered in blood. Moving between tenderness, joy, and terror, she recalls her meetings with Edgardo and imagines she is with him on their wedding night. She vows she will never be happy in heaven without her lover and that she will see him there. When Enrico returns, he is enraged at Lucia’s behavior but soon realizes that she has lost her senses. After a confused and violent exchange with her brother, Lucia collapses.

    In the graveyard, Edgardo laments that he has to live without Lucia and awaits his duel with Enrico, which he hopes will end his own life. Guests coming from Lammermoor Castle tell him that the dying Lucia has called his name. As he is about to rush to her, Raimondo announces that she has died. Determined to join Lucia in heaven, Edgardo stabs himself.

    The Met Live Opera’s “Lucia Di Lammermoor” will be shown at the Mary D. Fisher Theatre on Saturday, May 21 at 10 a.m. (live simulcast). The pre-opera talk will take place one hour before the show. Tickets are $25 general admission, $22 for Film Festival members, and $15 for students. Tickets are available in advance at the Sedona International Film Festival office or by calling 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org.

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    By Amaya Gayle Gregory

    Throughout the years, we have been trained. Part of the training is to see others as trained, but not ourselves. Even though we are the others that others are trained to see as trained, we tend to miss that little nuance. The training says we must know what’s right and speak out when we see something that runs contrary to our understanding of rightness. We don’t stop to realize that what we see as right isn’t exactly right or it would be the right version that everyone in their right mind knew as right. There are billions of versions of right but ours is the only real right one. Seems fishy, doesn’t it? We spend our days, our lives, catching others — the wrong ones — doing and saying things in support of their versions of right and our training has us jumping on the critical bandwagon lest we be painted in support of the wrong right. What in this crazy world moves us with such amazing force to crave rightness, to need to be seen as right? Read more→
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