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    Home » Met Live Opera ‘Lucia Di Lammermoor’ on screen in Sedona May 21
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    Met Live Opera ‘Lucia Di Lammermoor’ on screen in Sedona May 21

    Mary D. Fisher Theatre is the home for the opera simulcast events
    May 12, 2022No Comments
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    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza.
    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza.
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    Sedona Internatonal Film FestivalSedona News – The Mary D. Fisher Theatre is honored to be the home for the Met Live Opera programs for the 2021-2022 season, presented by the Sedona International Film Festival. The season will continue with Gaetano Donizetti’s “Lucia Di Lammermoor” on Saturday, May 21. There will be one show at 10 a.m. — a live simulcast as it is happening at the Met! 

    Plan to come early as John Steinbrunner will lead a pre-opera talk one hour before the production. 

    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza.
    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza.

    Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s “Lucia di Lammermoor”, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Rucinski as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo. 

    Act I

    An intruder has been spotted at night on the grounds of Lammermoor Castle, home of Enrico Ashton. Normanno, the captain of the guard, sends Enrico’s men off in search of the stranger. Enrico arrives, troubled. His family’s fortunes are in danger, and only the arranged marriage of his sister, Lucia, with Lord Arturo Bucklaw can save them. The chaplain Raimondo, Lucia’s tutor, reminds Enrico that the girl is still mourning the death of her mother. But Normanno reveals that Lucia is concealing a great love for Edgardo of Ravenswood, leader of the Ashtons’ political enemies. Enrico is furious and swears vengeance. The men return and explain that they have seen and identified the intruder as Edgardo. Enrico’s fury increases. 

    Just before dawn at a fountain in the woods nearby, Lucia and her companion Alisa are waiting for Edgardo. Lucia relates that, in this very spot, she has seen the ghost of a girl who was stabbed by a jealous lover. Alisa urges her to forget Edgardo, but Lucia insists that her love for Edgardo brings her great joy and may overcome all. Edgardo arrives and explains that he must go to France on a political mission. Before he leaves, he wants to make peace with Enrico. Lucia, however, asks Edgardo to keep their love a secret. Edgardo agrees, and they exchange rings and vows of devotion. 

    Act II

    It is some months later, on the day that Lucia is to marry Arturo. Normanno assures Enrico that he has successfully intercepted all correspondence between the lovers and has in addition procured a forged letter, supposedly from Edgardo, that indicates he is involved with another woman. As the captain goes off to welcome the groom, Lucia enters, continuing to defy her brother. Enrico shows her the forged letter. Lucia is heartbroken, but Enrico insists that she marry Arturo to save the family. He leaves, and Raimondo, convinced no hope remains for Lucia’s love, reminds her of her late mother and urges her to do a sister’s duty. She finally agrees. 

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    As the wedding guests arrive in the Great Hall, Enrico explains to Arturo that Lucia is still in a state of melancholy because of her mother’s death. The girl enters and reluctantly signs the marriage contract. Suddenly, Edgardo bursts in, claiming his bride. The entire company is overcome by shock. Arturo and Enrico order Edgardo to leave, but he insists that he and Lucia are engaged. When Raimondo shows him the contract with Lucia’s signature, Edgardo curses her and tears his ring from her finger before finally leaving in despair and rage. 

    Act III

    Enrico visits Edgardo at his dilapidated home and taunts him with the news that Lucia and Arturo have just been married. The two men agree to meet at dawn by the tombs of the Ravenswoods for a duel.

    Back at Lammermoor, Raimondo interrupts the wedding festivities with the news that Lucia has gone mad and killed Arturo. Lucia enters, covered in blood. Moving between tenderness, joy, and terror, she recalls her meetings with Edgardo and imagines she is with him on their wedding night. She vows she will never be happy in heaven without her lover and that she will see him there. When Enrico returns, he is enraged at Lucia’s behavior but soon realizes that she has lost her senses. After a confused and violent exchange with her brother, Lucia collapses.

    In the graveyard, Edgardo laments that he has to live without Lucia and awaits his duel with Enrico, which he hopes will end his own life. Guests coming from Lammermoor Castle tell him that the dying Lucia has called his name. As he is about to rush to her, Raimondo announces that she has died. Determined to join Lucia in heaven, Edgardo stabs himself.

    The Met Live Opera’s “Lucia Di Lammermoor” will be shown at the Mary D. Fisher Theatre on Saturday, May 21 at 10 a.m. (live simulcast). The pre-opera talk will take place one hour before the show. Tickets are $25 general admission, $22 for Film Festival members, and $15 for students. Tickets are available in advance at the Sedona International Film Festival office or by calling 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org.

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    The Symbolism of Jan. 6

    By Tommy Acosta
    Don’t mess with symbols. Just ask author Dan Brown’s character Robert Landon. The worth of symbols cannot be measured. Symbols make the world-go-round. Symbols carry the weight of a thousand words and meanings. Symbols represent reality boiled down to the bone. Symbols evoke profound emotions and memories—at a very primal level of our being—often without our making rational or conscious connections. They fuel our imagination. Symbols enable us to access aspects of our existence that cannot be accessed in any other way. Symbols are used in all facets of human endeavor. One can only feel sorry for those who cannot comprehend the government’s response to the breech of the capital on January 6, with many, even pundits, claiming it was only a peaceful occupation. Regardless if one sees January 6 as a full-scale riot/insurrection or simply patriotic Americans demonstrating as is their right, the fact is the individuals involved went against a symbol, and this could not be allowed or go unpunished. Read more→
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