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    Home»Arts & Entertainment»Sedona Film Fest presents ‘Amélie’ global encore Feb. 14-17
    Arts & Entertainment

    Sedona Film Fest presents ‘Amélie’ global encore Feb. 14-17

    Film Festival theatres join cinemas around the world for global theatrical event
    February 2, 2024No Comments
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    Amélie (Audrey Tatou), the heroine of Jean-Pierre Jeunet’s award-winning whimsical romance, is no ordinary young woman. A waitress in a Montmartre, Paris bar, Amélie observes people and lets her imagination roam free. One day, she suddenly finds her purpose in life: to solve other people’s problems.
    Amélie (Audrey Tatou), the heroine of Jean-Pierre Jeunet’s award-winning whimsical romance, is no ordinary young woman. A waitress in a Montmartre, Paris bar, Amélie observes people and lets her imagination roam free. One day, she suddenly finds her purpose in life: to solve other people’s problems.
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    Sedona News – The Sedona International Film Festival is proud to join theaters around the world for a global theatrical encore event: “Amélie” playing Feb. 14-17 at the Alice Gill-Sheldon Theatre.

    “Amélie” was nominated for five Academy Awards, including Best Foreign Language Film. After two decades, the cinematic sensation returns to theaters in its original form.

    Amélie (Audrey Tatou), the heroine of Jean-Pierre Jeunet’s award-winning whimsical romance, is no ordinary young woman. A waitress in a Montmartre, Paris bar, Amélie observes people and lets her imagination roam free. One day, she suddenly finds her purpose in life: to solve other people’s problems.

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    Amélie (Audrey Tatou), the heroine of Jean-Pierre Jeunet’s award-winning whimsical romance, is no ordinary young woman. A waitress in a Montmartre, Paris bar, Amélie observes people and lets her imagination roam free. One day, she suddenly finds her purpose in life: to solve other people’s problems.
    Amélie (Audrey Tatou), the heroine of Jean-Pierre Jeunet’s award-winning whimsical romance, is no ordinary young woman. A waitress in a Montmartre, Paris bar, Amélie observes people and lets her imagination roam free. One day, she suddenly finds her purpose in life: to solve other people’s problems.

    We follow her around a lovingly and vividly photographed Paris of saturated colors, as she engineers offbeat solutions to better her deserving co-workers, relatives and neighbors’ lives… — among them the concierge who spends her day sipping port while communing with a stuffed dog; Georgette, the hypochondriac newsdealer; and the “glass man”, who lives vicariously through a Renoir reproduction.

    Amélie’s mission to help others is rudely interrupted when she meets a strange, off-beat young man, Nino Quincampoix (Mathieu Kassovitz), who captures her interest, and sets her on a mission to accomplish something for herself — in the most charming and complicated way possible.

    “Amélie” will be shown at the Alice Gill-Sheldon Theatre Feb. 14-17. Showtimes will be on Wednesday and Thursday, Feb. 14 and 15 at 3:30 p.m.; and Friday and Saturday, Feb. 16 and 17 at 6:30 p.m.

    Tickets are $12 general admission, or $9 for Film Festival members. For tickets and more information, please call 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona.  For more information, visit: www.SedonaFilmFestival.org.

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    Throughout the years, we have been trained. Part of the training is to see others as trained, but not ourselves. Even though we are the others that others are trained to see as trained, we tend to miss that little nuance. The training says we must know what’s right and speak out when we see something that runs contrary to our understanding of rightness. We don’t stop to realize that what we see as right isn’t exactly right or it would be the right version that everyone in their right mind knew as right. There are billions of versions of right but ours is the only real right one. Seems fishy, doesn’t it? We spend our days, our lives, catching others — the wrong ones — doing and saying things in support of their versions of right and our training has us jumping on the critical bandwagon lest we be painted in support of the wrong right. What in this crazy world moves us with such amazing force to crave rightness, to need to be seen as right? Read more→
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    We Have Been Thoroughly Trained!
    By Amaya Gayle Gregory

    Throughout the years, we have been trained. Part of the training is to see others as trained, but not ourselves. Even though we are the others that others are trained to see as trained, we tend to miss that little nuance. The training says we must know what’s right and speak out when we see something that runs contrary to our understanding of rightness. We don’t stop to realize that what we see as right isn’t exactly right or it would be the right version that everyone in their right mind knew as right. There are billions of versions of right but ours is the only real right one. Seems fishy, doesn’t it? We spend our days, our lives, catching others — the wrong ones — doing and saying things in support of their versions of right and our training has us jumping on the critical bandwagon lest we be painted in support of the wrong right. What in this crazy world moves us with such amazing force to crave rightness, to need to be seen as right? Read more→
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