Arts & Entertainment

Sedona Film Fest presents ‘In Balanchine’s Classroom’ premiere Oct. 17

October 11, 2021No Comments

“In Balanchine’s Classroom” takes us back to the glory years of George Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius.

“In Balanchine’s Classroom” takes us back to the glory years of George Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius.

Bonny Singer to host film about legendary choreographer and teacher at Fisher Theatre

Sedona AZ (October 11, 2021) – The Sedona International Film Festival is proud to present a special premiere of “In Balanchine’s Classroom” on Sunday, Oct. 17 at 1 p.m. at the Mary D. Fisher Theatre.

Professional Ballerina and Sedona resident, Bonny Singer – who was a student of legendary ballet choreographer George Balanchine – will host the special premiere and take us behind-the-scenes of the ballet master.

“In Balanchine’s Classroom” takes us back to the glory years of George Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius.

Ms. Singer was a Professional Ballerina with the NYC Ballet, 1970-1981, the last great decade of George Balanchine. She danced in over 100 ballets – solo and Principal parts – including Apollo with Mikail Baryshnikov. She danced with the Zurich Ballet, Balanchine’s European company, and then became Ballet Mistress and Assistant to the Artistic Director for San Francisco Ballet for 11 years where she staged and rehearsed all of the Balanchine ballets.

“In Balanchine’s Classroom” takes us back to the glory years of George Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius.

Opening the door to his studio, Balanchine’s private laboratory, they reveal new facets of the groundbreaking choreographer: taskmaster, mad scientist, and spiritual teacher. Today, as his former dancers teach a new generation, questions arise: what was the secret of his teaching? Can it be replicated?

Filled with never-before-seen archival footage of Balanchine at work during rehearsals, classes, and in preparation for his most seminal works, along with interviews with many of his adored and adoring dancers and those who try to carry on his legacy today, this is Balanchine as you have never seen him, and a film for anyone who loves ballet and the creative process.

“In Balanchine’s Classroom” will be shown at the Mary D. Fisher Theatre on Sunday, Oct. 17 at 1 p.m. Tickets are $12, or $9 for Film Festival members. For tickets and more information, please call 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org.

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.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

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.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→

.By Tommy Acosta

As a child of the ’60s, I grew up hating war—protesting and demonstrating against them, uncovering as a writer the global military-industrial complex, and seeking peace with my pen. Through the years, I saw myself as a herald—someone who could help people, through my writings, liberate themselves from programmed ignorance and institutionalized stupidity. Well, now that I am in the third act of my life, my understanding of how the world works has changed.

Read more→