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    Home»Arts & Entertainment»Groundbreaking Study Reveals Economic and Social Impact of $13,482,061 Nonprofit Arts and Culture Sector in Sedona
    Arts & Entertainment

    Groundbreaking Study Reveals Economic and Social Impact of $13,482,061 Nonprofit Arts and Culture Sector in Sedona

    Arts & Economic Prosperity 6 Study Centers Equity in Economic Research and Highlights Vital Role of Arts and Culture in Building More Livable Communities
    October 24, 2023No Comments
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    Sedona News – Sedona Arts Center today announced that Sedona’s nonprofit arts and culture industry generated $13,482,061 in economic activity in 2022, according to the newly released Arts & Economic Prosperity 6 (AEP6), an economic and social impact study conducted by Americans for the Arts. That economic activity–$5,854,433 in spending by nonprofit arts and culture organizations and $7,627,628 in event-related spending by their audiences supported 230 jobs and generated $3,022,349 in local, state, and federal government revenue. Spending by arts and culture audiences generates valuable commerce to local merchants, a value-add that few other industries can compete with.

    Building on its 30-year legacy as the largest and most inclusive study of its kind, AEP6 uses a rigorous methodology to document the economic and social contributions of the nation’s nonprofit arts and culture industry. The study demonstrates locally as well as nationally, arts and culture are a critical economic driver of vibrant communities.

    “This study underscores the importance of Sedona’s arts and culture organizations and quantifies their social and economic benefits in our community,” says Julie Richard, CEO of Sedona Arts Center. “The arts foster creativity and transform individuals, all the while strengthening our economy and quality of life.”

    Nationally, the Arts & Economic Prosperity 6 (AEP6) study reveals that America’s nonprofit arts and culture sector is a $151.7 billion industry—one that supports 2.6 million jobs and generates $29.1 billion in government revenue.

    “Arts and culture organizations have a powerful ability to attract and hold dollars in the community longer. They employ people locally, purchase goods and services from nearby businesses, and produce the authentic cultural experiences that are magnets for visitors, tourists, and new residents,” said Nolen V. Bivens, president and CEO of Americans for the Arts. “When we invest in nonprofit arts and culture, we strengthen our economy and build more livable communities.”

    AEP6 represents a reset from its previous versions, establishing a new benchmark in the AEP study series.

    • Social Impact: For the first time, AEP6 expands beyond the economic and financial data to include social impact measurements of arts and culture’s effect on the well-being of communities and residents.
    • Equity and Inclusion: AEP6 broke new ground by prioritizing equity, community engagement, and inclusivity. With the goal of reducing systemic bias, Americans for the Arts transformed its approach and expanded the inclusion and participation of organizations serving or representing BIPOC- (Black, Indigenous, People of Color) and ALAANA- (African, Latino, Asian, Arab, Native American) identifying communities.

    Nationally, the extensive research reveals proportional economic and community impacts among attendees at BIPOC and ALAANA organizations to the overall national average. These findings should initiate new, and escalate existing, critical funding conversations about BIPOC and ALAANA organizations receiving fair and proportional financial support.

    Key figures from Sedona’s AEP6 study include:

    • Sedona’s nonprofit arts and culture industry generates $7,627,628 in event-related spending by its audiences.
    • The typical attendee spends $41.55 per person per event, not including the cost of admission.
    • 40.3% of arts and culture attendees were from outside the county in which the activity took place. They spent an average of $159.91. All vital income for local merchants.
    • 88.1% of respondents agreed that the activity or venue they were attending was “a source of neighborhood pride for the community.”
    • 84.8% said they would “feel a sense of loss if that activity or venue was no longer available.”

    AEP6 demonstrates the significant economic and social benefits that arts and culture brings to their communities, states, and the nation. To amplify the study results and raise awareness of these widespread benefits with public and private-sector leaders, seventeen national organizations partnered with Americans for the Arts on AEP6:

    ●      Actors’ Equity Association

    ●      African Diaspora Consortium

    ●      Arts & Planning Division (American Planning Association)

    ●      Black Legislative Leaders Network

    ●      Department for Professional Employees

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    ●      AFL-CIO (American Federation of Labor and Congress of Industrial Organizations)

    ●      Destinations International

    ●      International City/County Management Association

    ●      Independent Sector

    ●      National Association of Counties

    ●      National Conference of State Legislatures

    ●      National Alliance of Community Economic Development Associations

    ●      National Independent Venue Association

    ●      National Organization of Black Elected Legislative Women

    ●      Race Forward

    ●      Recording Industry Association of America

    ●      The Conference Board

    ●      U.S. Conference of Mayors

    By measuring arts and culture’s wide-ranging impact, public and private sector leaders can work together to secure funding and arts-friendly policies that shape more vibrant and equitable communities.

    The full report, a map of the 373 study regions, and a two-page economic impact summary for each, can be found at AEP6.AmericansForTheArts.org. For more information, follow @Americans4Arts

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    We Have Been Thoroughly Trained!
    By Amaya Gayle Gregory

    Throughout the years, we have been trained. Part of the training is to see others as trained, but not ourselves. Even though we are the others that others are trained to see as trained, we tend to miss that little nuance. The training says we must know what’s right and speak out when we see something that runs contrary to our understanding of rightness. We don’t stop to realize that what we see as right isn’t exactly right or it would be the right version that everyone in their right mind knew as right. There are billions of versions of right but ours is the only real right one. Seems fishy, doesn’t it? We spend our days, our lives, catching others — the wrong ones — doing and saying things in support of their versions of right and our training has us jumping on the critical bandwagon lest we be painted in support of the wrong right. What in this crazy world moves us with such amazing force to crave rightness, to need to be seen as right? Read more→
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