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    Home»Arts and Entertainment»Sedona International Film Festival»Sedona Film Fest presents ‘The High Note’ premiere June 19-25
    Sedona International Film Festival

    Sedona Film Fest presents ‘The High Note’
    premiere June 19-25

    June 13, 2020No Comments
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    Feel-good music film starring Tracee Ellis Ross and Dakota Johnson at Fisher Theatre

    Sedona Internatonal Film FestivalSedona AZ (June 13, 2020) – The Sedona International Film Festival is proud to present the Northern Arizona premiere of the feel-good comedy music film of the summer “The High Note” showing June 19-25 at the Mary D. Fisher Theatre.

    “The High Note” stars Tracee Ellis Ross, Dakota Johnson, Kelvin Harrison, Jr. and Ice Cube.

    Set in the dazzling and glamorous world of the L.A. music scene comes the story of Grace Davis, a superstar whose talent, and ego, have reached unbelievable heights.

    Set in the dazzling world of the L.A. music scene comes the story of Grace Davis (Tracee Ellis Ross), a superstar whose talent, and ego, have reached unbelievable heights. Maggie (Dakota Johnson) is Grace’s overworked personal assistant who’s stuck running errands but still aspires to her dream of becoming a music producer.
    Set in the dazzling world of the L.A. music scene comes the story of Grace Davis (Tracee Ellis Ross), a superstar whose talent, and ego, have reached unbelievable heights. Maggie (Dakota Johnson) is Grace’s overworked personal assistant who’s stuck running errands but still aspires to her dream of becoming a music producer.

    Superstars don’t come much bigger than Grace Davis (Tracee Ellis Ross), the celebrated diva whose unbelievable talent has won her countless accolades and the adoration of generations of fans. Keeping pace with Grace’s every demand is her devoted — if overworked — personal assistant Maggie (Dakota Johnson). Maggie spends her days traversing Los Angeles running errands, yet she still aspires to make it in the cutthroat, male-dominated music business as a producer.

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    From the confines of the apartment she shares with her spunky roommate Katie (Zoe Chao), Maggie is secretly perfecting her own mix of Grace’s upcoming live greatest hits album. She’s convinced that her dogged work ethic and her devotion to preserving the classic elements of Grace’s sound will pay dividends. Her skills are put to the test when Maggie meets gifted musician David Cliff (Kelvin Harrison, Jr.). As they write and record new material together, Maggie finds herself pulled between pursuing her passion and her commitment to Grace.

    Things come to a head when Grace’s long-time manager (Ice Cube) presents the singer with a choice that could alter the course of her career, and Grace must wrestle with a decision that could have life-altering consequences. What follows is a series of surprises that not even the ultra-prepared assistant could have predicted — events poised to change both Maggie and Grace’s lives forever.

    Funny, fresh and romantic, “The High Note” is a delightful, female-driven modern comedy about talent, persistence and the power of music to bring people together.

    “The High Note” will be shown at the Mary D. Fisher Theatre June 19-25. Showtimes will be 7 p.m. on Friday, Saturday, Wednesday and Thursday, June 19, 20, 24 and 25; and 4 p.m. on Sunday, Monday and Tuesday, June 21, 22 and 23.

    Tickets are $12, or $9 for Film Festival members. For tickets and more information, please call 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org.

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    We Have Been Thoroughly Trained!
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    Throughout the years, we have been trained. Part of the training is to see others as trained, but not ourselves. Even though we are the others that others are trained to see as trained, we tend to miss that little nuance. The training says we must know what’s right and speak out when we see something that runs contrary to our understanding of rightness. We don’t stop to realize that what we see as right isn’t exactly right or it would be the right version that everyone in their right mind knew as right. There are billions of versions of right but ours is the only real right one. Seems fishy, doesn’t it? We spend our days, our lives, catching others — the wrong ones — doing and saying things in support of their versions of right and our training has us jumping on the critical bandwagon lest we be painted in support of the wrong right. What in this crazy world moves us with such amazing force to crave rightness, to need to be seen as right? Read more→
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