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    Home»Arts & Entertainment»Sedona Film Fest presents ‘The Quiet Girl’ premiere April 7-13
    Arts & Entertainment

    Sedona Film Fest presents ‘The Quiet Girl’ premiere April 7-13

    Academy Award nominee for Best International Feature Film debuts at festival theatres
    March 30, 2023No Comments
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    Caìit is a nine-year-old girl from an over-crowded, dysfunctional and impoverished family. Quietly struggling at school and at home, she has learned to hide in plain sight from those around her. “The Quiet Girl” was nominated for the Academy Award for Best International Feature Film.
    Caìit is a nine-year-old girl from an over-crowded, dysfunctional and impoverished family. Quietly struggling at school and at home, she has learned to hide in plain sight from those around her. “The Quiet Girl” was nominated for the Academy Award for Best International Feature Film.
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    Sedona News – The Sedona International Film Festival is proud to present the Northern Arizona premiere of “The Quiet Girl” showing April 7-13 at the Mary D. Fisher and Alice Gill-Sheldon Theatres.

    Caìit is a nine-year-old girl from an over-crowded, dysfunctional and impoverished family. Quietly struggling at school and at home, she has learned to hide in plain sight from those around her. “The Quiet Girl” was nominated for the Academy Award for Best International Feature Film.
    Caìit is a nine-year-old girl from an over-crowded, dysfunctional and impoverished family. Quietly struggling at school and at home, she has learned to hide in plain sight from those around her. “The Quiet Girl” was nominated for the Academy Award for Best International Feature Film.

    “The Quiet Girl” was nominated for the Academy Award for Best International Feature Film.

    Rural Ireland. 1981. Caìit is a nine-year-old girl from an over-crowded, dysfunctional and impoverished family. Quietly struggling at school and at home, she has learned to hide in plain sight from those around her.

    As summer arrives and her pregnant mother’s due date approaches, Caìit (Catherine Clinch) is sent to live with distant relatives. Without knowing when she will return home, she is left at the strangers’ house with only the clothes she is wearing. The Kinsellas, a middle-aged couple she has never met, dress the girl in what clothes they have.

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    They are farming people, like her own, but hard-working and wanting for nothing, it seems. Despite a warm reception from the woman, Eibhliìn, the man of the house, Seaìn, keeps his distance from Caìit and she from him, but over time, their strained relationship begins to deepen.

    Slowly, in the care of the Kinsellas, Caìit blossoms and discovers a new way of living. But in this house where affection grows and there are meant to be no secrets, she discovers one painful truth.

    “The Quiet Girl” will be shown at the Mary D. Fisher and Alice Gill-Sheldon Theatres April 7-13. Showtimes will be Friday and Saturday, April 7 and 8 at 4:00 p.m.; Sunday, April 9 at 7:00 p.m.; Tuesday and Wednesday, April 11 and 12 at 6:30 p.m.; and Thursday, April 13 at 3:30 p.m.

    Tickets are $12, or $9 for Film Festival members. For tickets and more information, please call 928-282-1177. Both the theatre and film festival office are located at 2030 W. Hwy. 89A, in West Sedona. For more information, visit: www.SedonaFilmFestival.org.

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    We Have Been Thoroughly Trained!
    By Amaya Gayle Gregory

    Throughout the years, we have been trained. Part of the training is to see others as trained, but not ourselves. Even though we are the others that others are trained to see as trained, we tend to miss that little nuance. The training says we must know what’s right and speak out when we see something that runs contrary to our understanding of rightness. We don’t stop to realize that what we see as right isn’t exactly right or it would be the right version that everyone in their right mind knew as right. There are billions of versions of right but ours is the only real right one. Seems fishy, doesn’t it? We spend our days, our lives, catching others — the wrong ones — doing and saying things in support of their versions of right and our training has us jumping on the critical bandwagon lest we be painted in support of the wrong right. What in this crazy world moves us with such amazing force to crave rightness, to need to be seen as right? Read more→
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